Concerts And Recordings

Concert diary

A few things are happening in the next 12 months and a few events recently  are worthy of note.

Sat. 30 July 2016 @ 3.00pm Victorian Recorder Guild

I will accompany Isabella Delany, semi finalist of the Don Cowell International Recorder Competition. See more info on

15 October 2016 Wesley Music Centre Canberra

Workshop and Concert featuring the music of JS Bach with Jane Downer – oboe and Louise King – violoncello as well as myself on harpsichord.

13 November 2016 @ 4.00pm “Fandango”

The stirring dialogue of four hands at two harpsichords with the colourful setting of Luigi Boccherini’s popular “Fandango” bring the full flavour of Spanish musical passions to life. The intricacies of J.S. Bach’s Double Harpsichord Concerto in C and the rococo sonatas by Bach’s sons, W. F. and C. P. E. Bach offer an elegant counterfoil and an improvisation over a Bass by Bernado Pasquini provides an element of surprise. Book on or

Late March Music for Cello and piano – French 19th century salon music: date TBC but probably Sunday 21 March 2017

Recent Past events

2 July Don Cowell Recorder Competition: I was official accompanist for this event which features the best younng recorder players in Australia and New Zealand.

10 July Solo Lute recital with Rosemary Hodgson “The Winter Queen”

Download the flyer here Rosemary Flyer and read on for more information.

June 2016 I was Musical Director for the musical “Nice Work If You Can Get It” featuring the music of George Gershwin. This was performed by Broadford Amateur Theatrical Society (BATS) and featured a handpicked orchestra via my orchestral manager Garrick Vanderschoot.



A new recording featuring the UK baroque oboist Jane Downer is in the post production phase and should be released in early 2015. Recorded in Toddinton, Gloucestershire England with Peter Hagen playing chamber organ, this CD includes music by J.S Bach, Homilius, Tag and Krebs. The pieces are largely arrangements of the organ works of the above done in much the same style as was done in the 18th century to these same sorts of pieces. The sublime G minor fantasia by Krebs is indeed a sort of justification for this manner of arranging pieces, being specifically written for oboe and organ.

I love this review by Liz Silsbury: and a further review in the magazine “Gramophone” are some of the reviews for this CD. This last link also has links to the Chandos site so you can buy the CD.

Currently the only commercial or CD recordings Peter has done are in the field of new Australian Music featuring the Melbourne Composers League and in particular Dindy Vaughan whose “Up the Creek” CD was inspired by environmental concerns for our inland rivers, creeks and lakes. Mostly works for the duo “Questing Spirit” with Anne Norman on shakuhachi and Peter Hagen on harpsichord there are also six solos for either shakuhachi or harpsichord.

A few tracks are also on Le Tuan Hungs “Wings of a Butterfly” CD. Both are on the MOVE recording label. 3MBS in Melbourne also have some recordings of Peter Hagen directing Barok Blaser as well as some solo recordings. A community subscription radio station in amsterdam (De Concertzender) also has a few recordings of Peter Hagen playing solo harpsicord.


The following is a beginning of my repertoire list and is at this stage very unfinished!

Repertoire at short notice:

Louis Couperin: Suite in d minor
Couperin: Passacaglia in B minor
JS Bach: French Suite in G major
Handel: Suite in d minor
See all the repertoire  for my concert series past and present as well

Repertoire with one month notice:

J.S. Bach: Brandenburg Concerto no V
Concerto in F minor
Concerto in A major
Three part inventions
Storace: Ciaccona
Rossi: Toccata
Frescobaldi: Toccata

Extended repertoire requiring more notice:

JS Bach: Italian Concerto
Selected preludes and Fugues
Partitas 1, 4 and 6
Handel: Harpsichord Suites in D minor F major, E minor, G minor

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