{"id":12,"date":"2024-01-02T00:38:35","date_gmt":"2024-01-02T00:38:35","guid":{"rendered":"https:\/\/peterhagen.com.au\/?page_id=12"},"modified":"2026-04-02T13:20:18","modified_gmt":"2026-04-02T02:20:18","slug":"peter-hagen","status":"publish","type":"page","link":"https:\/\/peterhagen.com.au\/index.php\/peter-hagen\/","title":{"rendered":"Salon Concerts at Broadford"},"content":{"rendered":"
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My two harpsichords<\/h3>\n

I use these regularly for my concerts where I play repertoire spanning across the centuries from around 1550 to 1800. I even tuned them differently in a concert to show the difference between mean tone tuning and well – temperament with of course suitable repertoire.<\/p>\n

\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n

Salon concerts at Broadford 2026 Season<\/strong><\/p>\n

Four concerts of varied Baroque music all at 4.00pm on Sundays.<\/strong><\/p>\n

Don\u2019t miss this presentation of English late 17th<\/sup> century songs delving into many of our mental states. Experience the mental states of lovesickness, anguish, loneliness, restlessness and other disturbances in the safety of my little concert hall. Book with the following link: https:\/\/www.trybooking.com\/DGRQN<\/a>\u00a0 venue details also shown on this link)<\/p>\n

Kate Macfarlane\u2019s<\/strong> acclaimed and exquisitely sensitive soprano voice presents us with songs by Purcell and Eccles. Sam Cohen<\/strong> lends her expertise on theorbo (it\u2019s like a huge guitar!) joining me on keyboards.<\/p>\n

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Put these other dates in your diary too.\u00a0(same link as above)<\/strong><\/p>\n

24 May: Masters of The Italian Violin School<\/strong><\/p>\n

30 August – 18th Century\u00a0Trios from the\u00a0Berlin School<\/strong><\/p>\n

8 Nov:\u00a0– Jacquet de La Guerre cantatas<\/strong><\/p>\n

All with Peter Hagen playing on\u00a0harpsichord.<\/strong><\/p>\n

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Samantha Cohen<\/strong> was drawn to the lute during her studies in Classical Guitar at the Victorian College of the Arts, where she developed a love of Early Music and particularly Baroque music. The lute quickly became a gateway to the theorbo and her true passion, basso continuo. She received numerous awards and grants to further her studies overseas, including a Churchill Fellowship to study with Jakob Lindberg in the UK, a scholarship to the Civica Scuola di Musica in Milan where she studied with Paul Beier and funding from the Australia Council to study with Pat O\u2019Brien in New York. She is a performer of lute, baroque guitar and theorbo, appearing and recording with Melbourne-based groups including Genesis Baroque, Elysium Ensemble <\/em>and Evergreen Ensemble<\/em>. She has played with many of Australia\u2019s leading orchestras including The Australian Brandenburg Orchestra, Pinchgut Opera, ACO, Orchestra Victoria, MSO, <\/em>and Melbourne Chamber Orchestra. <\/em>A career highlight was performing alongside early harp virtuoso, Andrew Lawrence King at the World Harp Congress in Sydney in 2014. Samantha is a founding member of Ludovico\u2019s Band <\/em>and Melbourne\u2019s Continuo Collective.<\/em><\/p>\n

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And Last Year for those that want to delve into my past concerts.<\/strong><\/p>\n

30 March:<\/strong> Hannah Lane \u2013 baroque triple harp
Italian \u201cSecret Music\u201d and refined music for the English royalty from the 16th and 17th centuries. This programme for baroque triple harp explores the Music by Luzzaschi, Frescobaldi, Purcell, Dowland and more.
4 May:<\/strong> Meredith Beardmore \u2013 historical flute and Niels Bijl \u2013 classical saxophone, with Peter Hagen \u2013 harpsichord. Telemann and Handel Trio sonatas
Two of the best composers from the high baroque performed with a beautiful, unusual blend of instruments.
22 June:<\/strong> Kate Macfarlane \u2013 voice, Samantha Cohen theorbo and Peter Hagen on organ and harpsichord. Seventeenth century music of passion and verve with music by Barbara Strozzi and Merula
24 August:<\/strong> Peter Hagen performs solo harpsichord repertoire on his exquisite copy of a Ruckers harpsichord.
Couperin, Bach, Handel and more.
16 November:<\/strong> Sam Goble \u2013 baroque cello, Peter Hagen \u2013 harpsichord
Virtuosic music for baroque cello and harpsichord from Telemann to Boccherini<\/p>\n","protected":false},"excerpt":{"rendered":"

My two harpsichords I use these regularly for my concerts where I play repertoire spanning across the centuries from around 1550 to 1800. I even tuned them differently in a concert to show the difference between mean tone tuning and well – temperament with of course suitable repertoire. Salon concerts at Broadford 2026 Season Four […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-12","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/peterhagen.com.au\/index.php\/wp-json\/wp\/v2\/pages\/12","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/peterhagen.com.au\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/peterhagen.com.au\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/peterhagen.com.au\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/peterhagen.com.au\/index.php\/wp-json\/wp\/v2\/comments?post=12"}],"version-history":[{"count":50,"href":"https:\/\/peterhagen.com.au\/index.php\/wp-json\/wp\/v2\/pages\/12\/revisions"}],"predecessor-version":[{"id":180,"href":"https:\/\/peterhagen.com.au\/index.php\/wp-json\/wp\/v2\/pages\/12\/revisions\/180"}],"wp:attachment":[{"href":"https:\/\/peterhagen.com.au\/index.php\/wp-json\/wp\/v2\/media?parent=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}